"Prologo"

Prologue

If I may Ladies! Gentlemen!
Excuse me if I appear alone. I am the Prologue.
Since our author is bringing back traditional masks
he wishes to take up, in part the old stage customs,
and once again he sends me out to you.
But not, as in the past, to tell you,
"The tears we shed are false so do not be alarmed
by our agonies or suffering!"
No! No!
Our author has sought, instead, to paint you a slice of life,
his only maxim being that the artist is a man,
and he must write for men, inspired by truth.

Deeply hidden memories gave voice one day within his soul,
and he shed real tears as he wrote, and was wracked by sobs.
So you will see love as real people love;
you will see hatred‘s bitter fruit.
And you will hear cries of grief and rage, and cynical laughter.
Look closely at our souls, rather than the poor players' garb we wear,
for we are flesh and blood, breathing, like you,
the air of this bereft world.
I’ve told you our intent. Now give heed to how it plays out.

On with the show! Begin!

I Pagliacci  by Giacomo Puccini

In the prologue, Tonio (a hunchback player) promises the audience they will see not just play-acting, but a slice of life. A crowd then gathers in Calabrian village, waiting for the strolling players. The troupe’s leader Canio invites them to a performance later that night. As he heads to the inn, a villager jokingly warns him not to leave his wife Nedda with Tonio. Canio retorts that only happens in the play; such deceit would not be wise in real life. Nedda, though longs to be free of him.
Tonio hears her singing of freedom and declares his love. She rejects him, first taunting him and then striking him with a whip. He moves off, vowing vengeance, but observes Nedda greeting her lover, Silvio, a villager, and agreeing to leave Canio for him. They plan to meet later that night.
Tonio brings Canio to witness the assignation, but Silvio escapes unrecognised. Tonio suggests Nedda’s lover will surely attend the performance and betray himself. Broken-hearted, Canio puts on his makeup and costume, telling himself bitterly he is not a man, only a clown.
The play begins. Columbina's jealous husband Pagliaccio is away, and after rejecting the advances of Taddeo (Tonio), she entertains her lover Harlequin (Beppe).
When Pagliaccio returns, he starts questioning Columbina. Her parting words to the fleeing Harlequin are those Nedda used to Silvio – and Pagliaccio’s stage jealousy becomes Canio’s own fury. While he demands the name of her real-life lover, Nedda tries to keep the mounting emotions contained within the play. She refuses to answer and is stabbed by Canio. Silvio rushes to the stage, too late to save her, and he, too, is killed by Canio, who declares: "The play is done."

Scroll to Top