MEET THE CAST
Bronwen Stephens-Harding
Founder, Director and Scriptwriter
Mezzo-Soprano
At the age of eight, Bronwen declared her wish to be an opera singer. After a varied career, combining corporate marketing with busking, choral singing, opera performance and singing studies, she is now pursuing her dream full-time. After achieving a Diploma in Opera & Performance from Associated Studios in London and working in the UK and Europe, Bronwen founded Rogue Opera in 2018 with a vision of bringing opera to new audiences and unconventional spaces. As well as singing the title role in Rogue Opera’s inaugural season of Bizet’s Carmen, Bronwen directed the production and saw it performed in a variety of venues.
Working with a dedicated troupe of musicians and seeing her concepts come to life on the stage have been a high point in her musical career, which continued with the company’s second season, presenting a vibrant, contemporary reimagining of Mozart’s Don Giovanni in 2019, which Bronwen directed. In the second revival tour she also performed the role of Donna Elvira. The challenges presented by Covid-19 in 2020 have taken Bronwen and Rogue Opera into new ventures, broadcasting over 45 livestream performances and building an archive over 100 video performances of arias and ensembles, providing creative work for Rogue Opera artists and introducing new audiences to opera.
Delighted to be back to in-person events in 2021, Bronwen created, wrote the English libretto and directed a new production 'A Modern Opera Love Story' for Fuller’s Opera in the Garden. The association with Fuller's has continued with two further very successful summer tours, presenting an exciting and engaging gala program in a wide variety of pub gardens.
For the 2024 summer tour of Carmen Re-imagined, Bronwen wrote the English dialogue, directed and sang the title role of Carmen.
2025 sees the debut of Bronwen’s second Re-imagined work, in which she has set Mozart’s Così fan tutte in modern New York, where a desire for celebrity, status and money provides the background for the opera’s convoluted story of love, deceit and betrayal. In this production, Bronwen sings the role of Dorabella.
Guy Murgatroyd
Music Director
Pianist
British pianist Guy enjoys a modest reputation as one of a leading generation of pianists pliable to many musical roles.
Having worked with diverse musicians, including Leslie Howard, Elly Ameling and Andrew Lloyd Webber, along with contemporary composers including Rolf Hind, Edward Rushton and Nikolai Kapustin, Guy is no stranger to most corners of the repertoire. He had a scholarship at Birmingham Conservatoire in 2012 and recently completed postgraduate studies at the Royal Academy of Music in London. Guy is also the founder and director of the London Art Song Collective which aims to further the performance of 20th century art song, an undervalued and untapped repertoire. The collective features over 50 singers, hand-chosen for various projects spanning over 450 composers and 25 languages.
Having assisted with Carmen in 2018, Guy took on full musical direction for Rogue Opera in 2019 and was integral to the company’s 2020/21 pandemic online program. Guy has the superhuman ability to fill in for a whole orchestra in Rogue Opera’s compact productions and is the essential fifth character in Fuller’s Opera in the Garden.
Christian Andreas
Baritone
Equally at home on both the concert and opera stages, Christian Andreas is praised for his “remarkable, strikingly-focused baritone voice” (PAMINA Online-Magazin). Since his professional debut in 2013 as soloist in Bach's St. Matthew Passion under the baton of Helmuth Rilling at the Teatro del Lago in Chile, he has performed across Europe, Africa, Asia and the Americas, most notably at the Festspielhaus Baden-Baden in Rossini's L'Italiana in Algeri ("Käpt'n Bone") in 2016. He joined the Royal College of Music International Opera School for performances of Poulenc’s Les Mamelles de Tirésias (Presto) and Janáček’s The Cunning Little Vixen (Harasta) at the Britten Theatre in London in 2017. The following year he performed with the Royal Philharmonic Orchestra at Cadogan Hall London, the Orchestra di Padova e del Veneto in Italy, and at the Verbier Festival in Switzerland, where he sang Il Conte di Monterone in Verdi’s Rigoletto. In 2019 he made his US operatic debut as Papageno in Mozart’s Die Zauberflöte at the Aquilon Music Festival, Oregon. From 2019 to 2021, he was a member of the International Opera Studio at the Opéra National de Lyon in France. After two seasons with Regents Opera London (2022–2023), he joined Grange Park Opera as Guccio in Puccini's Gianni Schicchi alongside Sir Bryn Terfel. This season, he made his debut at the Royal Festival Hall, London, as bass soloist in Bernstein’s Chichester Psalms with the Philharmonia Orchestra under the baton of Marin Alsop. Christian Andreas holds a Master of Music in Vocal Performance from the Royal College of Music London, and a Bachelor of Music in Opera Performance and Vocal Pedagogy from the Hochschule für Musik Karlsruhe.
Victorian Melodrama for Opera Della Luna at Wilton’s, a show reviving this summer in Bath and Manchester. Prior to this he performed as the Pirate King in The Pirates of Penzance for Celebrate Voice Festival, where he previously sang the title role in Le Nozze di Figaro.
Nick is a graduate of Guildhall School of Music and Drama, and has since performed over 300 performances as Marcello in Opera Up Close's Olivier Award winning La Bohème. Elsewhere, roles include Flemish Deputy in Don Carlo at Grange Park Opera, where he previously performed as Zaretsky in Eugene Onegin whilst understudying the title role. Nick has ventured into music theatre as Javert in Les Misérables for Pimlico Opera Prisons Project, featuring the inmates of HMP Erlestoke. Nick has also worked in the film industry, where he performed a role in Holby City (drunk Santa Claus) and as a body double for Batman.
Anna Gregg
Soprano
Recent Winner of the Deborah Voight Opera Prize at the BBC Radio 3 Glenarm Festival of Voice, Anna Gregg is the Northern Ireland Opera Young Opera Voice of 2023. Anna graduated in 2022 with distinction, from the Guildhall School of Music and Drama, where she studied BMus(Hons), MMus and MPerf under the tutelage of Sarah Pring. Last season, Anna was thrilled to play the role of Gabriel in a staged production of Hadyn’s Creation with the Scherzo Ensemble (Longhope Opera), cover the principal role of Elena in the world premiere of Elena and Gerardo - Bottini, with Random Opera, and play the role of Lucia in Britten’s Rape of Lucretia with British Youth Opera.
Anna has also been fortunate to work with Wexford Festival Opera, Longborough Festival Opera, West Green Opera, Opera Collective Ireland, Sestina Music, Northern Ireland Opera and numerous choral societies in the UK and Ireland. Anna was recently awarded the Dufferin Prize at the Camerata Ireland Academy 2024 and toured with the ‘Merry Opera Company', performing a role in a staged Messiah. She played Papagena in the Magic Flute 2 (Paris) in March and looks forward to playing Cynthia in The Dowager’s Oyster (London) next month.
David Powton
Tenor
David Powton gained his MA in Opera Performance from the Royal Welsh College of Music and Drama, studying with Adrian Thompson and Nicki Rose, generously supported by the Leverhulme Foundation and the Manning Prize for Tenors. Roles include The Mayor (Albert Herring, Britten), Basilio (Le Nozze di Figaro, Mozart), Caius (Falstaff, Verdi) and Alfred (Die Fledermaus, Strauss).
David has performed as a soloist with Royal Northern Sinfonia. Concert performances include Seven Last Words from the Cross (MacMillan), A Child of Our Time (Tippett) and Verdi Requiem. Recent performances include Nemorino in L’Elisir d’amore (Donizetti) with Opera’r Ddraig, Basilio in Le Nozze di Figaro (Mozart) with Random Opera and Marat/Dupont in Black, el payaso (Sorozàbal) with Cervantes Theatre.