"Alla bella Despinetta"

This is the lovely Despinetta

Don Alfonso has bribed Despina, the sisters' maid, to facilitate a meeting between them and two new suitors (in reality, Ferrando and Guglielmo, in disguise). The suitors declare their love, the girls are outraged - and have passed the first test of their fidelity.

DON ALFONSO
I present you, my friends, to pretty Miss Despina;
The consolation of your heart
Lies in her hands alone.

FERRANDO AND GUGLIELMO
By those hands, which I kiss with delight,
By that smile so full of charm,
Make my treasure turn on me
Her clear and lovely eyes.

DESPINA
What a sight! What clothes!
What faces! What moustaches!
I can’t work out if
they are Wallachians or Turks.

DON ALFONSO
What do you think of their appearance?

DESPINA
To be quite frank with you,
They're exceptional in their ugliness,
A real antidote to love.

FERRANDO, GUGLIELMO AND DON ALFONSO
Now the plan is quite decided;
If she doesn't recognise us/ them,
There's no more need to fear.

FIORDILIGI AND DORABELLA
Oh Despina! Despina!

DESPINA
The ladies!

DON ALFONSO
Now's the moment!
Use your wits: I'll hide in here.

FIORDILIGI AND DORABELLA
You impudent girl!
What are you doing with these people?
Send them away at once,
Or you'll all be sorry.

DESPINA, FERRANDO AND GUGLIELMO
Ah, ladies, pardon!
See at your lovely feet
Two wretches languishing,
Who adore and revere your virtues.

FIORDILIGI AND DORABELLA
Great heavens! What do I hear?
Who was the shameless instigator
Of this vile betrayal?

DESPINA, FERRANDO AND GUGLIELMO
Pray calm yourselves!

FIORDILIGI AND DORABELLA
I can contain myself no more!
My heart within my breast
Is filled with outrage and fury!

DESPINA AND DON ALFONSO
I'm a bit suspicious
Of this rage and fury!

FERRANDO AND GUGLIELMO
What delight to this heart
Is all this rage and fury!

FIORDILIGI AND DORABELLA
Forgive me, beloved;
This heart of mine is innocent.

Mozart's comic opera Cosí fan tutte (That's the way woman are)

Two brothers, Guglielmo and Ferrando, are absolutely certain of winning a bet proposed by the cynical Don Alfonso that, unlike all other women, their fianceés – two sisters, Fiordiligi and Dorabella – would always be true and faithful. They agree to pretend to be called away to war, planning to return in disguise to try and seduce each others' loves. The two couples bid each other a tearful farewell. Despina, the sisters’ maid suggests they amuse themselves in their lovers’ absence, a notion that shocks them. Don Alfonso secretly asks Despina to play along with his scheme. She invites the disguised brothers into the house. Fiordiligi and Dorabella are disturbed at this, especially when the two “strangers” begin wooing them. Don Alfonso pretends they are old friends, whom the sisters should welcome, but Fiordiligi staunchly maintains her fidelity to the absent Guglielmo. The two “strangers” reappear, apparently take poison and collapse. Despina and Don Alfonso leave to get help. A doctor (Despina in disguise) arrives. The recovering suitors proclaim their love to the sisters, who are not to be swayed.
Despina convinces Fiordiligi and Dorabella that a bit of flirtation would do no harm. Dorabella decides on Guglielmo while Fiordiligi chooses Ferrando, an unwitting crossover of lovers. Fiordiligi goes off for a stroll with Ferrando while Guglielmo woos Dorabella. To his amazement, she surrenders to his advances. In contrast, Fiordiligi continues to resist Ferrando. When the two brothers compare notes, Ferrando is tormented to discover that Dorabella has yielded to Guglielmo. Secretly observed by Don Alfonso and Guglielmo, Ferrando renews his efforts to win Fiordiligi. To Guglielmo’s distress, he succeeds. Don Alfonso has won his bet. As consolation, he suggests ‘così fan tutte’ (‘all women are like that’). The double wedding is underway when a military chorus off-stage heralds that the “soldiers” are “returning” which prompts the suitors and the notary (Despina in disguise!) to hide. Ferrando and Guglielmo then appear in uniform, seemingly taken aback by their uncertain reception. On discovering what has happened in their “absence”, they swear vengeance, but ultimately reveal the deception. In an operatic happy ending, the two pairs of lovers are seemingly reconciled.

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